Docu Magazine Print publication

This project is about the intimacy between the viewer and the photograph itself.
I shoot my work on analog film because I love the patience, uncertainty and honesty of that process. There is something deeply personal in the way film holds an image — not as something instant, but as something that has travelled through time, light and touch.

For me, print has a different kind of presence. It can be held, damaged, kept, lost, found again. It asks for more attention than a digital image. It slows the viewer down.

I’m interested in photographs as quiet, filmic fragments — images that feel like part of a larger story, even when they stand alone. This publication brings that feeling into a physical form: something to hold, look at closely, and experience with time.